Experimental graphic design projects exploring
visual systems, typography, image-making and
creative research.
Focused on visual exploration and creative
experimentation, these works combine graphic
design, contemporary visual culture and artistic
practice to develop distinctive and expressive
visual narratives.
This work explores the nostalgia of childhood summer days, where memory functions less as a fixed archive and more as a shifting emotional landscape. Through collage techniques, fragmented images of play, sunlight, and fleeting moments are reassembled into a layered visual narrative.
Surrealist elements disrupt spatial logic, placing everyday childhood memories in tension with cosmic references. Space, understood in its astronautical dimension, becomes a parallel territory where exploration, isolation, and wonder echo the emotional vastness of memory itself.
This work functions as an extension of an initial visual idea, developed as a technical demonstration of the artist’s multidisciplinary practice. It combines photography, graphic design, and painting within a single compositional system, treating each medium as an interchangeable layer rather than a separate discipline.
The subject—orthodontic braces worn by me for nine years—operates both as autobiographical reference and formal device. What begins as a personal and bodily marker is transformed into a structured visual element, oscillating between documentation and abstraction. The piece articulates the tension between identity and construction, where process becomes as significant as image, and technique itself is exposed as content.
This graphic work employs collage strategies and deliberate distortion of proportion to construct a fragmented visual reading of the Spanish artist Amaia. The composition avoids stable scale relationships, allowing figures, symbols, and spatial references to collapse into a single fluctuating field.
The piece is anchored in the cultural and emotional framework of Pamplona as an origin point, while translating the artist’s musical identity into a visual system. It reflects the sonic and lyrical atmosphere of her album “Si abro los ojos no es real”, where perception, memory, and unreality are treated as interchangeable states.
This work marks the beginning of «Muñekiyos», a graphic art series that introduces a playful visual universe inhabited by distinctive character-like figures. Blending watercolor, sketching, and graphic design, the piece navigates the space between spontaneity and structure, where fluid gestures coexist with carefully composed visual elements.
The «Muñekiyos» emerge as expressive symbols rather than fixed characters, embodying fragments of imagination, emotion, and contemporary visual culture. Through layered textures, vibrant color, and dynamic linework, the work explores the dialogue between hand-drawn intuition and digital aesthetics. As the first chapter of an ongoing series, it establishes a language of experimentation and visual storytelling, inviting viewers into a world where innocence, humor, and artistic exploration converge.
This work combines graphic design, image scanning, and moving-image aesthetics to investigate the symbolic relationship between creativity, value, and systems of exchange. Centered on the scanned image of a fifty-euro banknote, the composition is disrupted by the insertion of the word ATELIER in Arabic, transforming a familiar economic object into a site of cultural and conceptual negotiation.
By appropriating and recontextualizing currency, the piece questions the mechanisms through which value is assigned, accumulated, and circulated within contemporary society. The presence of ATELIER—the name of the design studio—functions both as a declaration of intent and as a subtle act of resistance, positioning creative practice against purely market-driven definitions of worth. Through the convergence of digital manipulation, visual layering, and graphic intervention, the work becomes a reflection on the tension between artistic production and capitalist structures, inviting viewers to reconsider what truly constitutes value in a world increasingly governed by economic metrics.